Palette Shop — Artist painting palettes and mixing | palettishop.com

Which palette should you buy

Palette Shop — Artist painting palettes and mixing | palettishop.com

For oil, start with a wooden or glass palette: oil stays open 6-8 hours at 20 °C, so a simple 200 x 300 mm wooden oval at 150-300 g already does the job. For acrylic the surface matters more than the shape, because the paint skins in 10-20 minutes on an open palette but stays workable 4-8 hours on a stay-wet one. If you paint both, choose for acrylic's clock and the oil side takes care of itself.

Open timeStay-wet paletteCranked handleMid-grey palette
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200 x 300 mmstandard oval wooden palette size
4-8 hacrylic workable time on a stay-wet palette at 20 °C
50-130 mmpalette knife blade lengths for mixing

Palettes compared by the numbers

Six palette options compared by size, capacity and how long paint stays open at 20 °C.
Palette typeTypical sizeWeight, sheets or wellsPaint stays open at 20 °CChoose it for
Oval wooden palette200 x 300 mm (8 x 12 in)150-300 gOil: 6-8 hours; 24-48 hours refrigerated at 2-8 °COil painting at the easel
Disposable paper pad240 x 320 mm40-60 sheets of 120-160 gsmAcrylic skins in 10-20 minutesAcrylic and gouache studies
12-well plastic palette—5-10 ml per wellAcrylic skins in 10-20 minutesWatercolour and fluid paint
Large flat palette—20-30 dabs of about 5 mlAcrylic skins in 10-20 minutesMixing large colour batches
Stay-wet palette—Damp sponge plus parchment sheetAcrylic workable 4-8 hoursLong acrylic sessions
Mid-grey palette—Surface at about 18% reflectanceMatches the base materialNeutral colour and value judgement
Six palette options compared by size, capacity and how long paint stays open at 20 °C.

Match the palette to the paint, not the other way round

Oil gives you hours on almost any surface; acrylic gives you minutes, so the paint decides the palette.

Oil paint left on a wooden palette stays open for 6-8 hours at 20 °C, which is why a plain wooden oval has been the default for easel work. You can mix at leisure, walk away, and come back to paint that still moves.

Acrylic runs on the opposite clock. On any open palette — wood, paper, plastic or glass — it skins over in 10-20 minutes at 20 °C, and once the skin forms the dab is finished. Working fast, misting, or switching to a stay-wet palette are the three honest answers.

So the choosing logic is simple. If you only paint oil, almost any flat surface works. If you paint acrylic, the surface has to manage water. If you paint both, choose for acrylic and the oil side is automatically covered.

The five surfaces, measured

Wood, paper, plastic, glass and stay-wet trays differ less in shape than in weight, capacity and how long they keep paint alive.

The standard oval wooden palette with a thumb hole measures about 200 x 300 mm (8 x 12 in) and weighs 150-300 g. Disposable paper pads come at 240 x 320 mm with 40-60 tear-off sheets of 120-160 gsm paper, coated on one side so paint sits on top instead of soaking through.

Plastic palettes split into two families: well palettes, where a 12-well tray holds 5-10 ml of paint per well, and large flat palettes that take 20-30 pea-sized dabs of about 5 ml each. Wells suit fluid media that need separating; flats suit mixing.

Glass and mid-grey palettes complete the set. A mid-grey surface is calibrated to roughly 18% reflectance, which keeps colour and value judgement neutral — a white page makes every mix look darker than it will dry.

  • Oil at the easel: oval wooden palette, 200 x 300 mm, 150-300 g
  • Acrylic sessions: stay-wet tray, workable 4-8 hours at 20 °C
  • Acrylic or gouache studies: paper pad, 240 x 320 mm, 40-60 sheets
  • Watercolour and fluid paint: 12-well plastic, 5-10 ml per well
  • Large colour batches: flat palette holding 20-30 dabs of about 5 ml
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Set up a stay-wet palette in six steps

A stay-wet palette is a damp sponge under a sheet of parchment, and it stretches acrylic's working time from 10-20 minutes to 4-8 hours at 20 °C.

The principle is evaporation in reverse: instead of the paint losing water to the air, the damp sponge feeds moisture up through the parchment at a slow, steady rate. The paint sits on the parchment, not in the water, so it keeps its original consistency.

Two failure modes account for almost every complaint. A dry sponge puts you back on the 10-20 minute clock, and a dripping sponge floods the dabs — and water beyond about 20-30% by volume starts to break the acrylic binder, weakening the dried film.

Damp, not wet, is the whole skill. The sponge should feel like a wrung-out cloth, and the parchment should lie flat with no air pockets, or the dabs will slide and pool.

  • Step 1 — Wet the sponge fully, then squeeze until damp with no dripping; a dripping sponge is failure mode one, flooded paint.
  • Step 2 — Lay the sponge flat in the tray so the surface is level.
  • Step 3 — Cover with parchment and smooth out every air pocket; buckled parchment is failure mode two, pooling paint.
  • Step 4 — Set out pea-sized dabs of about 5 ml each, spaced so they cannot touch.
  • Step 5 — Paint normally; expect 4-8 workable hours at 20 °C before the sponge needs re-wetting.
  • Step 6 — Re-wet the sponge the moment paint starts skinning early; early skinning is failure mode three, a dried-out sponge.
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Paint open time at a glance

All working times on this page are quoted at 20 °C room temperature.

Match the paletteto the paint, notThe five surfaces,measuredSet up a stay-wetpalette in sixWhy mid-grey beatswhite for judgingPick a paletteknife by bladeKeep paint alivebetween sessions
A map of this guide's sections

Six tools, measured

Every card quotes only measured values — millimetres, grams, millilitres and hours.

Open timeStay-wet paletteCranked handleMid-grey palette
The key terms of this guide, drawn to one scale

Sources and basis of the figures

The figures are drawn from manufacturers' published specifications for standard palettes, pads and knives, checked against widely used studio guidance.